Important Tip from Internland: Research Your Submissions!

I am sure that you have heard this recommendation before, but in case you haven't and because you probably need to hear it again:

Research the agent and/or editor to whom you are submitting your manuscript!

People, I cannot stress this enough. How much time and energy you put in BEFORE you hit the "Send" button can make a world of difference between a publishing contract and a rejection letter. Never mind the fact that you should probably pay an editor to review/copyedit/develop your manuscript a bit more for you (let's face it, none of us can see all our own flaws, and our friends are often a little too kind to point them out, either). Acknowledging that agents and editors have specialized genres/areas of interest is more than just smart for you to do for yourself. It shows respect for the agent/editor's time and that you are invested in the success of your book (and they should be as well).

Seriously, people, if you wrote a non-fiction book about family law practice, don't submit it to a Romance novel editor (Yes, I've seen this done). There's no chance that your book will fit into the scope of that editor's publishing. All you end up doing is forcing the editor to waste their time rejecting you. That kind of character development is just plain unnecessary for you to have to endure.

The more you research and understand the nuances of the genre you are writing in and match it to the genres/areas of interest of the agents and editors you submit to, the higher your chances of success. If you really want your book published, give it the best chance you can! The world is not holding you back. You can be the architect of your own success!

Now, get out there and hire some freelance editors (me) to help you sculpt your manuscript so that when you submit it you really are putting your best foot forward!

Steppin' out

Back in January I read a blog post from Brightened Boy in which he mentioned his internship with a literary agency and it sparked something in me. I thought to myself, "I want to intern with a literary agency." And so I sent out 6 applications.

Within a month I had landed an internship with an agent, and so began my education. By the end of April, I had landed a second internship with an independent publishing company. I have learned a lot in the last 7 months. And all thanks to a blogging buddy who posted about his own journey. That's the magic of our little blogging world.

Now Brightened Boy is joining the ranks of professional agent. I am so excited for him! And to think I knew him when. ;)

I, on the other hand, am taking on the mantle of freelance editor. My internship is up at the end of August. Before the month is out I should have a website to point people to for information. I'm not expecting millions of people to beat down my doors wanting service. But I hope that some people will. I think there are a lot of brilliant manuscripts out there that just need a little bit of refining.

I wanna help them stand out.

7x7 award

Thanks to Nick Wilford over at Scattergun Scribblings for bestowing on me the 7x7 award!

I don't really participate in these kinda things anymore (because there are way too many to keep up with!) but this one had some interesting aspects that I wanted to follow through with anyhow. Kind of a blogging retrospective, introspectively... the following links are all to posts from my own blog that I think fit these categories.

Most Beautiful: I'm biased, but Big Island Dolphin Swimming, while not perhaps the most articulately written post, and not even the most well produced video, was the most beautiful experience for me...

Most Helpful & Most Popular: This post was incredibly helpful to me in terms of feedback I got toward my main character Lilith... and it comes in second for number of views on my blog.

Most Controversial: I don't know that I've posted anything "Controversial" yet... but this post with a flash fiction piece I wrote stirred up a lot of speculation...

Most Surprisingly Successful: Possessing the Secret of Joy. Without a doubt, this is the most surprising post. Not because of content, either, I expect. It's an emotional reaction to the novel by Alice Walker. But it has the most views on my blog of all of my posts... even still today.

Most Underrated: This post about my internship with the literary agency was a LOT of fun to write and full of information, but it didn't receive quite the response I was expecting/hoping.

Most Pride Worthy: My Name is Elisabeth and I am a Vegetarian There are some things that just need to be said, and this post says it.

You can feel free to visit or not visit them :) You may already have, if you've been following me for any amount of time.

If you want this award and haven't received it yet, I'm awarding it to you now!

Have a lovely week, all.

I'm back!

Wow... somebody took a blogging break! It was really an unscheduled break from the blogging world brought on by a trip to Hawaii with the hardworking hubby. He needed (and well deserved) a vacation!

But now we're back and I've spent the past few days dragging my brain back into EST and life as usual. Why? Because tomorrow I'm starting a brand spanking NEW internship! That's right folks! For the summer, I'll be interning with an actual publishing house (in the romance division). It's a definite break from my usual reading habits, but any way you slice it, I'm looking forward to learning so much and more about this new side of the industry!

So look for posts from me this summer with juicy little insights that I hope we will all be able to benefit from, as writers/creatives/etc.

Awarding the Leibster and some literary agency internship questions answered

First! I'm awarding the Leibster to Matt over at Matt's Writing Lair. And thanks to the fabulous Jess McKendry nominating you for this award, Matt. For details on the Leibster Award, please see this post.

Second! I only received one comment asking me questions re: my internship, but Rena (of Doctor Faerie Godmother) provided MORE than enough to work with (thanks Rena!). As you'll see below, I've reposted her comment and added my answers in between.


Rena: Questions? Oh yeah, I'm full of questions.
me: Great! Bring 'em on!

Rena: I'm going to just make the worlds biggest comment here because I really have so many. The first, I know tons of people who say things like: "Why did this book ever get published? The characters are terrible, the language is sad, and the plot could use some help." I've always assumed that books like that made it through because of the personal preference thing: how much of that did you see?
me: The agent I worked with did pick things based on personal preference. That said, she had a pretty high standard for what she would shop around to publishers because, while an agent may have a personal preference, the publishers are less likely to. It's still a waiting and guessing game for an agent shopping a book. They have to figure out which publishers will be likely to pick up a manuscript, the same as you... it's just hopeful they will have more experience and/or contacts than you (which is why you bother with them in the first place).

Rena: Did you ever pick out a manuscript and basically get laughed down? Or was everything you liked also liked by the agent/s?
me: There were two cases where I really liked a manuscript and the agent, after she had reviewed them, rejected them. One because she wasn't feeling the backwoods southern dialect the author chose to use (I found it to be accurate and appropriate for the novel). And one because she felt it just wasn't ready yet (where I thought it was a hot YA novel that really will sell, and it may if the author gets a good editor). And then there were a couple that I really loved that she agreed with me on as well. So, yeah, there's definitely some personal preference involved. An agent has to really love a manuscript to want to take it on because they have to be in a relationship with it, and you, for at least the year it will take to sell it. Therefore, your novel could be amazing, but just not right for that agency.

Rena: How important is the query letter? Is a good query letter really going to make it, or is it all about the pages? Did the agency you working with go to pages even when the query wasn't that great?
me: The agent I worked with, as a general rule, didn't read queries. That was my job. And to be honest, there were days when I didn't look very closely at them. I would skim a query for the synopsis of the work and, if it grabbed me, would look at the pages sent as well. A query is as good as the synopsis, in that regard, because the point of it is to make me want to look at your pages. However, if your pages are terrible, no amount of great querying will help you. There were a few that I rejected just based on the fact that the query was SO terrible grammatically (how can your manuscript be any good if you can't compose an e-mail?). And there was one query that I deleted without a response because it was just plain offensive. So I guess it's important to know your audience and approach them accordingly.

Rena: Statistics, I'm sure everyone wants to know the stats: How many queries a week, how many requested manuscripts, etc.
me: I'm not sure how many came to the agent's personal e-mail, because she forwarded many to another account where we also received queries for me to read. I read anywhere between 25 and 40 queries in a week... and requested 7 manuscripts in the 2 months I was at the agency. Of those manuscripts, 2 will actually be signed, I would venture.

Rena: I know that I'm not the only one who wants to know: what made the stand out manuscripts stand out? I know this has been answered a million times, but so often the only thing people will say is "Voice," but we've all seen plenty of manuscripts with killer voice but unenthusiastic everything else (from concept to dialogue). What did you notice about the manuscripts?
me: Voice is definitely important. Also, timing. Occasionally I would read a synopsis that sounded great but when we got more pages I would find it wouldn't pan out accordingly. If the pacing of the plot wasn't just right, didn't keep me interested in what was going to happen next, then I would end up putting it aside, not recommending it to the agent. In those types of situations we would always send a note to the author explaining that while we like the idea/style/characters/etc., the manuscript still needs more editing before it's ready to be marketed. So yes, voice... but have pity on your reader! Move the plot along. (And just a note: You may never see this in your own work... which is why it is important to have someone else look at it with a critical eye. Professional edits and crit partners are a MUST.)

Rena: Did any new clients get signed while you were there?
me: Yes. One. She was the author of the first manuscript I read when I started. The last intern had requested it, but I was the first to review it... and it was amazing. I can't wait to see it on the bookstore shelves (in a year or so. It hasn't been picked up by a publisher yet, but it's really a gem of a work, so I have confidence that it will be soon).

Rena: Did you get to work on any existing clients' work? How did that go? Specifically, did you get to read any of the already signed clients' first drafts? and how did those compare to the manuscripts in the slush? What I'm trying to get at here is, in your opinion, did most of the manuscripts in the slush suffer from first-draft-to-query-itis? Would most of the manuscripts in the slush have benefited from some word smithing? Or were they doomed by concept?
me: I don't know if other agents work differently, but the agent I worked with did not want a first draft from anybody. Anything that looked like it still needed major work (and ALL first drafts need major work) was told to find a professional editor and then contact the agency again once you had followed that editor's advice to fix the manuscript. I assume that people who were signed with her already knew that. I must say I'm amazed at the amount of querying and pages sent to the agent that looked as if no one had ever read them (including the author). The best chance you can give your manuscript is to have people whose skills you trust look at your work and offer you suggestions for improvement... over and over again... maybe even through 10 revisions. The agent, and the publisher, are not going to help you fix fundamental issues. There's likely no money in it for them. Your manuscript needs to be the best that it can be before you start sending it out. A lot of rejections you get could be solved if you had a professional editor look at your work.

Rena: You know what, I think I'll stop there, but I could sure keep going.
me: Thanks for playing! I hope my answers were helpful. If you have more questions, please leave them in the comments and I'll be happy to respond!

Leibster award and internships abound

I'm starting off this post with a big THANKS to Dave at Dave Wrote This and Kathy at Imagine Today. Thanks to Dave for bestowing on me the Leibster Award, in all it's glory. And thanks to Kathy for nominating me for it!

Rules for accepting this award:
1. Thank the person who gave you the award and link back to them.
2. Nominate up to five others for the award.
3. Let them know via comment on their blog.
4. Post the award on your blog.

I like the idea of awarding this honor to 5 people who have less than 200 followers on their blog. So! If you know someone who fits that criteria and deserves a shout out, I'm leaving it up to YOU to nominate them in the comments below. I will treat these on a first come first served basis, as well. So hurry and get your nominations in!

On the internship front... this is my last week with the Agency in NYC. I am so grateful for the experience I have had there these past two months. I think that the Agent would have kept working with me forever if I had let her... but I'm not necessarily in it for the long term yet. I'm still trying to figure out my path. I have read so many queries now... and I can tell you what mine WON'T look like... I have seen how to professionally submit a manuscript for review... and I have seen that even if your novel is really amazing it's not always likely to get picked up by a particular agent.

Everything I have learned so far will, I hope, make me a better writer in the long run. We'll see.

I'm leaving the internship with the Agency after only two months, though, because I have landed ANOTHER internship... with a publishing house satellite office only 30 minutes from my home (instead of a one and a half hour train ride). I'm excited because here's a new angle of the publishing industry I have not seen yet! I'm headed from the agent's world into the publisher's world! By the time I am done interning my resume will be thick with experience!

The next challenge is what to do with all that experience.

I have one more response request. A couple of you mentioned wanting to know more about my experience the past couple of months at the Agency. There's a blog post here, that I think sums up a lot of what I have learned, but I'd like to open the floor for questions. Please ask me questions regarding the internship and I will compile and answer them in a post next week!

I'm looking forward to hearing from you!

Insecure Writer's Support Group, yay!

Hi all! It's time for a monthly installment of Insecure Writer's Support Group, as hosted by Alex Cavanaugh.

I don't know about you, but I can't believe it's already April! Where does the time get to?

I wanted to post about blogging memes today... because they make me insecure. Currently, when I look through my blog reader, it seems like I am the only person I know who is NOT doing the A-Z Challenge, a monthly meme started here.

Now, part of the reason I didn't join in was because I've been doing an internship in the City (which ends April 19th). The internship has been intense and educational and I'm SO glad I have had the chance to take part, to get dressed up professionally, commute into NYC, and learn about the art of discovering a marketable manuscript. But it takes up a lot of time! So I haven't been posting very regularly, anyhow... and the idea of writing a blog post a day within the loose theme of the alphabet (much less the more planned out themes that I see some of you are doing)... well I'm not super woman.

But also, I don't want to be a joiner just because I think I'm supposed to attach meaning to something that everyone else does. I'm not just referring to this particular challenge. There are "blog awards" and weekly/monthly memes all OVER the place! How does a girl choose between them all without feeling like she's missing out on something, or more importantly, without feeling like she's losing her blogging identity?

Obviously I am choosing. I'm participating in a meme right now! IWSG has been very useful to me - from reading other writers' insecurities to sharing my own insecurities to receiving supportive feedback. I will definitely continue to participate in this one. I just wonder, does anyone else out there besides me feels overwhelmed by the flood of daily/weekly/monthly blog memes?

7 things you learn from interning with a literary agent

I've survived the first month of my internship! I don't know whether to be impressed by that fact or not. Overall I'm going to say that I'm impressed, because it's hard! For so many reasons, too...

I wanted to share with you the first few things that I've learned... because as a writer, I feel they are important. I'd love to hear your take on things as well, so make sure to comment and let me know what you think! It's possible that the things I'm learning here are NOT useful, and only apply to the agent I'm working with.

1. Your synopsis is important! Seriously. I know a few people have been posting recently and complaining about having to write synopses. They're hard to do. After all, your masterpiece of a novel is probably 50,000-100,000 words! How can you summarize the entire plot in just a few measly paragraphs? But, if an agent (or an agent's assistant) can't get the essence of your plot in a neat little package, the likelihood of your manuscript being picked up drops significantly. So craft them... craft them well, grasshoppers.
2. Building off of number 1., make sure to review and refine your pitch. Sending a query to an agent involves so much more than just copying and pasting your synopsis into the body of an e-mail and pressing send. Standard etiquette, people. Introduce yourself. Tell the agent why you're writing (This involves a synopsis of your synopsis. Madness!). Remember. There's nothing new under the sun. Don't bother telling the agent that your manuscript is one-of-a-kind. It's not. I guarantee it. Cheesy pitches and synopses get tossed right to the slush pile.
3. Find a way to graciously handle rejection. Agents receive hundreds of submissions a week. And in-depth discussions of the reasons for choosing not to take on your work is not on the top of their to-do list. Although, the one I've worked with is willing to take a little time to discuss it with you if you ask politely. Always remember, though, that whatever advice you wish to receive is a gift, not a right. (Maybe this is different with other agents. I don't know.)
4. Your first two chapters are key. Write well, little grasshopper. Hook your readers early. Introduce the characters and the plot in a way that grabs the reader's attention and draws them forward into the story. If the first 10 pages aren't amazing, you're looking at rejection.
5. Story arc. It's kinda important. If your novel wanders off in the middle, near the end... anywhere, really... it's going to get rejected, or at least asked for a rewrite. If you can catch this before the agent does, you'll save yourself the pain of opening that e-mail rejecting your work. The last two chapters matter just as much as the first two.
6. How can you catch things like a weak story arc? Get it edited. Well edited. Don't just have beta-readers look at your manuscript (although they're important, too). Have a professional look at your work and do an overview for you. It costs money, but it can mean the difference between a publishing contract and the slush pile.
7. Nothing is sacred. My friend Sarah Mebasser said that the other day, and it's true. Scenes that you've slaved over, that are your precious pets, that you think are pivotal to the whole story can be cut, likely WILL be cut. Language that you have deemed poetical will be criticized as ambiguous, vague, even bad grammar! Prepare yourself for this inevitability. Shelve your ego and go to work. (This goes as well for interns who work on projects/blog posts/etc., for their bosses. If you can get rid of your ego, you can learn a lot. Easier said than done, though.)

Well, that's all from the peanut gallery so far. I know that I'm a beginner, learning as I go. If you have any thing to add, I'm happy to listen and consider!

Knights of Microfiction!

It's time for Knights of Microfiction! This is a monthly meme hosted by the fabulous Jess and Kathy McKendry. I have had very little time to blog recently, so flash fiction is right up my alley!

Here are this month's rules:

Use at least one of the following adjectives: delicate, repulsive, hostile, and at least two of the following nouns:  New York City, my 16th birthday, and kilts. Write a MicroFiction/flash fiction piece of 250 words or less.

And here's my entry:


It's a delicate balance, I thought to myself, living here in New York City. Just surviving day to day can be a challenge, albeit one that I accept. Never let it be said that a Wallace is not worth his salt. I adjusted my kilt as a couple of beauties strolled by on the avenue.


There’s just one problem. No one can see me. And… they’re all dressed so strangely. It’s only very rarely that I see anyone else in a kilt, and they’re usually stone drunk. Those drunks can see me. And they’re usually terrified when they do. I think something may have happened to me.


Last thing I remember before I got here was it was my 16th birthday. Ma had made this new kilt for me especially. I was going out riding, and when I got home it would be time to celebrate. 16. Coming of age for a Scottish lad.


Only I never made it home. All of a sudden I was here. My stomach growled. I was starving. The night was just beginning here in the City that never sleeps. If I played my cards right, I could find myself a drunk with a conscience, someone to slip me some food. Best place for that was in Greenwich Village. They were just more accepting there. A couple of handouts and I’d be set for the night.


Somehow, I’d survive. Somehow, I had to figure out how to get home. Or at least what had happened.

Off to the internship again today. Lots of reading to do and I think my fellow intern is going away. I guess that's the point of an internship. It never lasts for very long.

Internship... you get out of it what you put in **UPDATED**

**Updated at the end.**

Quick post before I have to head in to the City this morning. I have been MIA the past week or so because I started this internship 3 days a week in the City with a literary agency. I would love to report that all is going well and I'm having the time of my life. Truth is, it's a mixed bag.

The thing I keep reminding myself is, I'm not getting paid. I'm volunteering time to learn about an area of the book business. I don't NEED a job. I WANT the experience.

And I am getting experience. I have read over a hundred submissions in the past 2 3 weeks, I would venture, the majority unsolicited. I could tell you right up front what will get through and what won't. Of what gets through, I couldn't tell you what will get picked up, though. This agent is finicky. She says she doesn't want to pass up on a really good manuscript. It's possible that we just have different ideas of what is good. 

However, that's an area for me to learn in, too. What do I know about what sells? I guess in the YA market, I have a bit of an eye. I've read a LOT of YA... but then, not as much as some of YOU. Still, I know what people are reading right now. In other markets not so much.

Sigh... on the other hand... I have had my patience tested over the past 2 3 weeks in ways I did not realize I might. I'm sitting on a hard chair at a kitchen table in a tiny Manhattan apartment, walking someone else's dog, commuting 3 hours a day... all to deal with a personality that I find less than appealing... trying to squeeze information about the business out of her... because it's more than choosing a good manuscript. Of that I am sure.

I guess I'm telling you all this, not to excuse myself for having been absent from the blogging world, so much as to say it's not all a bed of roses on the other side of the pen and paper... and I'm beginning to understand that actually means.

I hope to make it around and read some blogs this weekend. So write some good posts for me!

**I have to retract a statement. I really DO appreciate her personality... when she's not wearing her boss hat... and when she IS... I just have trouble dealing with her work style.

Today I found got better as I went... I'm sure in part due to the encouraging vibes you all are sending my way :)**

Making Time: Insecure Writers' Support Group

It's the first Wednesday in March! Can you believe it? That means it's time for Insecure Writer's Support Group, hosted by the fabulous Alex Cavanaugh, who, by the way, just published another novel, CassaFire! Yay Alex! Living the dream! And thanks for hosting us insecure writers. We need it.

I wanted to mention "Making Time" today. I haven't had to deal with this issue in a while. See, for the past year and a half I have been living the dream... not working, just writing. Except that I didn't really take advantage of the time while I had it. I was distracted by other things and allowed much of the time I could have devoted to writing to slip away.

Now that I am doing an internship in the City three days a week (on week two and it's going GREAT!) I am suddenly reminded of the value of time. I have less time for posting and less time for writing because other things are taking up the space (you know, like groceries, cooking meals, walking the dog, etc.).

It's only two weeks in, but I'm already worrying about how my creative outlets will suffer from neglect. Am I over reacting? This past weekend I did put down 900 words towards my WIP (in the new POV, too!). And that's huge! Because I have been stalling and recently got a bump of inspiration. But I wonder if that is an exception to the rule and if the urge to create won't be drowned out by the lazy monster or the "I have so many other necessary things to do" monster. I know I have to build better habits, but I'm a little at a loss as to how to do it without creating a crusty layer of guilt that I have to break through every time I want to write.

Ugh. Does anyone else ever feel this way? Damned if you do and damned if you don't... It's honestly one of my biggest barriers to moving forward with my writing, I think.

New post with some rambling about my internship on Friday. Thanks for listening.

Weekend goals: It's gonna be one hell of a re-write

If you are looking for my campaign entry, go here.

Ugh... don't you hate it when somebody gives you a suggestion and at first you think, "Nah, that'll never happen." But then the more you think about it the more it seems like a good idea? And then you start to think, "Oh my god, what am I thinking? This'll take forever!" But you can't get the idea to go away... and so you eventually resign yourself to the fact that you are going to at least have to attempt it.

Well, my pal Julie over at rosewood pencil box made just such a suggestion. First, there are two things you should know.

1. I LOVE JULIE!

2. I completely respect her opinion. 

So, the other day she so sweetly suggested that I might think about writing my WIP in first person, because she liked the voice I gave Lilith in the character interview.

At first I laughed and said to myself "Yeah, like I haven't thought of that." But I have 50,000 words of copy! Why would I go back and just re-write the whole thing? Only... the more I get to know Lilith, the more I like her voice, too... and now I've had some feedback it's got me thinking... sigh.

So this weekend's goals are to relax and perhaps look at how a few of my scenes sound from Lilith's perspective. It's not a commitment... it's a "What if?". I'm just experimenting. Who knows what will happen, really?

In other news, I read 2 novels this week. Yep, 2... that haven't even been published yet! This new internship is scratching an itch, that's for sure. The work environment is quirky, but then, so am I so... I'll reserve my judgments for a little later after I see how much I'm learning. So far I've been learning lots... including how to, and how NOT to, solicit an agent to review a manuscript. Wow people. All I can say is, the more people that review your 'script, the better.

Also, I just wanna say thanks to Jess, who awarded me two different blog awards this week. If you don't already know Jess, hop on over to her blog Write.Skate.Dream. She's an amazing, inspirational, plucky young writer. I think you'll love her blog, too!

It's cold here right now... and I keep hoping spring is around the bend. Who's with me?