My first guest post!

Look! I wrote a guest post here for Emily Suess's "Break Into Freelance Writing" program and I got paid to do it. Please go visit her blog and give me a little comment-luv!

World-Building ups and downs

I am a little ashamed to admit this, but I have a hard time with world-building... I know, what kind of a fantasy writer AM I? I get myself confused and turned around trying to figure where things are and how long it takes to get there, and what happens in the meantime... 

Although I love being able to break "Earth rules" in a truly fantasy world, I find it's easier to set my fantasy on good old planet Earth, in exotic locations. The distances and basics suddenly write themselves! Of course, I still can't decide which island and town my MCs hail from... and that will matter in the long run... but at least I have a starting point.

My current WIP is set in the Orkney Islands, Scotland. I visited last year... of course, I've been smitten with the islands for years now. I first read about them in Mary Stewart's Merlin novels... then in T.H. White's Once and Future King... and then when I looked them up, I stumbled on Orkneyjar, the most rich and fascinating website! I've spent hours falling down rabbit holes and following my nose... and the research that I've done has really helped me to see the settings I'm trying to write about.

The Orkneys really are thrilling, beautiful, and full of folklore. Who could ask for a better setting for a fantasy? And then! Something amazing like this happens. I could've made that up, but having it be REAL is so much more exhilarating! Don't you think?

What do you do about the details of world-building? Does it come easy to you?

IWSG: Turning things upside down

This post is for Insecure Writer's Support Group, hosted on the first Wednesday of every month by the fabulous Alex Cavanaugh. Anyone can join. Sign up here!

Ok, ok, I don't have a good excuse for posting today instead of tomorrow, except that a few others have and I had this post ready YESTERDAY, so... here you go!

Sometimes when I'm painting I get frustrated -- I visualize where things are going versus where I want them to go and I can't make up the difference. I hate that. But then, if I turn the canvas upside down, I get a whole new point of view... and it's inspiring! That doesn't mean I'll leave it that way... but new perspective can help me get my vision back in focus, to realign my aim... and sometimes new and great things come out of it!

I want to figure out how to do that more with my writing... because things are not going at all where I thought they were going with my WIP and I feel pretty deflated about that. So I'm wondering what I can do to regain some inspiration. How can I turn my WIP on its head? Maybe my MCs motivations are more nefarious than I give her credit for. Or maybe my main villain is really my MC...

The cygnets are here and they are
the most beautiful ugly
ducklings I have ever seen.

What do you do to turn things upside down?

Goals being met!

Yay! I'm excited because I found a blogfest to enter... not only that, but it's a really cool one and will likely be a good challenge for the next month or so. For full details, see here:

WHAT IF?

Fairytale Madness BlogFest! 

AUGUST 13th – 17th 

I have these categories to choose from:

I have to pick a fairy tale and ask "What if...?" and then in 300 words show you what I think would have happened in answer to that question. Hmmmm... decisions, decisions...

One of my summer goals was blogfesting! I'm very excited to take part and hope I'll make some new blog friends in the process. You know I said I'd throw my own blogfest when I reach 100 followers. Won't that be fun?

7x7 award

Thanks to Nick Wilford over at Scattergun Scribblings for bestowing on me the 7x7 award!

I don't really participate in these kinda things anymore (because there are way too many to keep up with!) but this one had some interesting aspects that I wanted to follow through with anyhow. Kind of a blogging retrospective, introspectively... the following links are all to posts from my own blog that I think fit these categories.

Most Beautiful: I'm biased, but Big Island Dolphin Swimming, while not perhaps the most articulately written post, and not even the most well produced video, was the most beautiful experience for me...

Most Helpful & Most Popular: This post was incredibly helpful to me in terms of feedback I got toward my main character Lilith... and it comes in second for number of views on my blog.

Most Controversial: I don't know that I've posted anything "Controversial" yet... but this post with a flash fiction piece I wrote stirred up a lot of speculation...

Most Surprisingly Successful: Possessing the Secret of Joy. Without a doubt, this is the most surprising post. Not because of content, either, I expect. It's an emotional reaction to the novel by Alice Walker. But it has the most views on my blog of all of my posts... even still today.

Most Underrated: This post about my internship with the literary agency was a LOT of fun to write and full of information, but it didn't receive quite the response I was expecting/hoping.

Most Pride Worthy: My Name is Elisabeth and I am a Vegetarian There are some things that just need to be said, and this post says it.

You can feel free to visit or not visit them :) You may already have, if you've been following me for any amount of time.

If you want this award and haven't received it yet, I'm awarding it to you now!

Have a lovely week, all.

WIP inspired art

Summer Writing Goals!

First! OMG my blog has had 10,000 views! I know that a lot of those are probably bots and people wandering in accidentally, but yay!

Now to get 100 followers! It's a right of passage, ya know? I will host my first ever blogfest/giveaway as soon as I hit 100 followers! Woot! There will be mermaid themed prizes and a little writing contest... You know you wanna join in!

It's summer. It's time to make some lists, to chart out a path of goals for the next couple of months, wouldn't you agree? I have to admit, I have been caught in the writing doldrums this entire spring! Not a letter typed, not a plot device turned over. Granted I am busy with internships and my first paid editing job, but I feel like I'm letting myself off the hook to easily.

Well, I'm ready to shake it off. So here's completely off the cuff random list of goals I'm making for this summer.

1. Writing! Make headway on second draft/1st person perspective of my WIP. Not just any headway... let's say that by the end of August I would like 20,000 words written. I've been reluctant, but there's really no way I can know how I feel about it until I write more.
2. Editing! Get a little further on that pesky first draft/3rd person perspective of the WIP. I wanna crank it up a notch, and now I think I'm starting to get a grip on what needs to happen there. I would like to have a version that I could show to someone without embarrassment by mid-September.
3. Reading! I have some good editing books in my pile that I would like to get through... my goal is to read one more of them this summer.
4. More reading! I found at B&N a couple of books with a similar theme to my current WIP... so I bought them and intend to read them by the end of August as well. Gotta know what my competition is!
5. Fests! Participate in 3 blogfests. This means I need to get down to some research... I don't wanna just participate in any o'l blogfest... but if you're throwing one, let me know!
6. Blogging! Get back up to 2 posts a week, at least! Man I have been slacking! The time to hesitate is through, though. I'll be brainstorming topics later today (as a break from editing). Feel free to leave me suggestions.

Anyone else got any good goals for the summer?

Dialogue Tags, for better or worse

Agra pondered aloud what exactly had made Milicent so effective as she tried again, in vain, to frighten Lilith into making a kill. Was it her commanding presence? Did she use physical threats?

“Maybe it was her eyes…” Lilith’s voice broke into Agra’s reverie.

‘What did you say?’ Agra checked herself, surprised.

‘I didn’t…’ Lilith ducked her head to avoid being cuffed. ‘Nothing…’

‘What about her eyes?’ Agra demanded. ‘Describe these eyes to me.’

‘Deep, fearsome, savagely wild…’ Lilith whispered. ‘So black that they suck you down into their depths and you think you’ll never escape.’ She trembled at the memory.

‘Where did you see these eyes?’ Agra demanded again.

‘Drowning…’ Lilith choked. ‘Can’t breathe! It was her! Her eyes…’ She collapsed into a heap of bitter tears on the sandy ocean floor.

Agra stared at her in stunned silence. Only one mermaid in these waters could produce that effect on others. ‘You’re lying!’ She spouted. ‘But how could you be?’ She picked up Lilith by the hair at the nape of her neck. ‘Where is she, this mermaid who turned you? Where did she go?’

‘I… I don’t know,’ Lilith stammered. ‘We… we traded places and… I don’t know where she went.’

‘You… WHAT?’ Agra shrieked.

‘We traded places,’ Lilith said, squeaking in pain as Agra’s grip tightened on her hair and neck.

‘That’s impossible!’ Agra roared. She let go of Lilith’s hair suddenly and Lilith tumbled to the ocean floor again.

‘I’m…. I’m sorry… I’m sorry…’ Lilith said as she scrambled back out of reach.

‘Don’t you dare… don’t you presume, you little worm,’ Agra snarled. ‘That you could trade places with the ancient one. Ha! Impossible!’

The passage above is from the first draft of my WIP... and is a prime example of trying to "tell" too much through dialogue tagging. My characters roar, squeak, demand, snarl, and oh so much more in an attempt to accurately describe the excitement of the scene. (Aside: I hate the name Agra... but somehow it was what came to me, and it is what I'm stuck with for now... sigh...)

I have been reading recently a book about self-editing for fiction writers. One of the main problems the authors point out with beginning novelists is the temptation to use dialogue tags to explain character emotion. I definitely have this problem. The idea is to convey enough through the actual dialogue that you don't have to explain the emotions or where the emphasis in the sentence belongs. It should come across naturally... the tension should just ... magically be there.

I can count at least 9 instances in this one little scene where I didn't have enough faith in my dialogue (or in my readers ability to infer meaning/emotion in my characters) to leave well enough alone.

I find that a lot of writers are prone to this habit, though. The more I think about it, the more I am interested to delve into some of those award winners that Margo Berendsen was talking about the other day, to see if they are able to dodge the pitfall of tagging dialogue (or explaining through adverbs... the -ly syndrome).

Does anyone else have this problem with their writing? What do you do to combat it?

The first of May

http://loveofthegoddess.blogspot.com/2010/04/beltane-spring-festival-of-fertility.html

It's the first of May and Earth has cast off her winter white in the northern hemisphere. A chorus of birds and a cool spring rain herald the coming days of warm and plenty, drawing us out to plant, to trim, all in anticipation of the harvest. Creatures creep out into the sun, chasing away winter's bone chilling season with promise of a sultry summer.

And yet Spring is capricious, clinging to winter's chill for just a while longer, reminding us that there are aspects of this world, of nature, over which we have no control. A last fickle frost sweeps over, causing new furled leaves to momentarily retract... and then the sun comes out and we dance again.

Awarding the Leibster and some literary agency internship questions answered

First! I'm awarding the Leibster to Matt over at Matt's Writing Lair. And thanks to the fabulous Jess McKendry nominating you for this award, Matt. For details on the Leibster Award, please see this post.

Second! I only received one comment asking me questions re: my internship, but Rena (of Doctor Faerie Godmother) provided MORE than enough to work with (thanks Rena!). As you'll see below, I've reposted her comment and added my answers in between.


Rena: Questions? Oh yeah, I'm full of questions.
me: Great! Bring 'em on!

Rena: I'm going to just make the worlds biggest comment here because I really have so many. The first, I know tons of people who say things like: "Why did this book ever get published? The characters are terrible, the language is sad, and the plot could use some help." I've always assumed that books like that made it through because of the personal preference thing: how much of that did you see?
me: The agent I worked with did pick things based on personal preference. That said, she had a pretty high standard for what she would shop around to publishers because, while an agent may have a personal preference, the publishers are less likely to. It's still a waiting and guessing game for an agent shopping a book. They have to figure out which publishers will be likely to pick up a manuscript, the same as you... it's just hopeful they will have more experience and/or contacts than you (which is why you bother with them in the first place).

Rena: Did you ever pick out a manuscript and basically get laughed down? Or was everything you liked also liked by the agent/s?
me: There were two cases where I really liked a manuscript and the agent, after she had reviewed them, rejected them. One because she wasn't feeling the backwoods southern dialect the author chose to use (I found it to be accurate and appropriate for the novel). And one because she felt it just wasn't ready yet (where I thought it was a hot YA novel that really will sell, and it may if the author gets a good editor). And then there were a couple that I really loved that she agreed with me on as well. So, yeah, there's definitely some personal preference involved. An agent has to really love a manuscript to want to take it on because they have to be in a relationship with it, and you, for at least the year it will take to sell it. Therefore, your novel could be amazing, but just not right for that agency.

Rena: How important is the query letter? Is a good query letter really going to make it, or is it all about the pages? Did the agency you working with go to pages even when the query wasn't that great?
me: The agent I worked with, as a general rule, didn't read queries. That was my job. And to be honest, there were days when I didn't look very closely at them. I would skim a query for the synopsis of the work and, if it grabbed me, would look at the pages sent as well. A query is as good as the synopsis, in that regard, because the point of it is to make me want to look at your pages. However, if your pages are terrible, no amount of great querying will help you. There were a few that I rejected just based on the fact that the query was SO terrible grammatically (how can your manuscript be any good if you can't compose an e-mail?). And there was one query that I deleted without a response because it was just plain offensive. So I guess it's important to know your audience and approach them accordingly.

Rena: Statistics, I'm sure everyone wants to know the stats: How many queries a week, how many requested manuscripts, etc.
me: I'm not sure how many came to the agent's personal e-mail, because she forwarded many to another account where we also received queries for me to read. I read anywhere between 25 and 40 queries in a week... and requested 7 manuscripts in the 2 months I was at the agency. Of those manuscripts, 2 will actually be signed, I would venture.

Rena: I know that I'm not the only one who wants to know: what made the stand out manuscripts stand out? I know this has been answered a million times, but so often the only thing people will say is "Voice," but we've all seen plenty of manuscripts with killer voice but unenthusiastic everything else (from concept to dialogue). What did you notice about the manuscripts?
me: Voice is definitely important. Also, timing. Occasionally I would read a synopsis that sounded great but when we got more pages I would find it wouldn't pan out accordingly. If the pacing of the plot wasn't just right, didn't keep me interested in what was going to happen next, then I would end up putting it aside, not recommending it to the agent. In those types of situations we would always send a note to the author explaining that while we like the idea/style/characters/etc., the manuscript still needs more editing before it's ready to be marketed. So yes, voice... but have pity on your reader! Move the plot along. (And just a note: You may never see this in your own work... which is why it is important to have someone else look at it with a critical eye. Professional edits and crit partners are a MUST.)

Rena: Did any new clients get signed while you were there?
me: Yes. One. She was the author of the first manuscript I read when I started. The last intern had requested it, but I was the first to review it... and it was amazing. I can't wait to see it on the bookstore shelves (in a year or so. It hasn't been picked up by a publisher yet, but it's really a gem of a work, so I have confidence that it will be soon).

Rena: Did you get to work on any existing clients' work? How did that go? Specifically, did you get to read any of the already signed clients' first drafts? and how did those compare to the manuscripts in the slush? What I'm trying to get at here is, in your opinion, did most of the manuscripts in the slush suffer from first-draft-to-query-itis? Would most of the manuscripts in the slush have benefited from some word smithing? Or were they doomed by concept?
me: I don't know if other agents work differently, but the agent I worked with did not want a first draft from anybody. Anything that looked like it still needed major work (and ALL first drafts need major work) was told to find a professional editor and then contact the agency again once you had followed that editor's advice to fix the manuscript. I assume that people who were signed with her already knew that. I must say I'm amazed at the amount of querying and pages sent to the agent that looked as if no one had ever read them (including the author). The best chance you can give your manuscript is to have people whose skills you trust look at your work and offer you suggestions for improvement... over and over again... maybe even through 10 revisions. The agent, and the publisher, are not going to help you fix fundamental issues. There's likely no money in it for them. Your manuscript needs to be the best that it can be before you start sending it out. A lot of rejections you get could be solved if you had a professional editor look at your work.

Rena: You know what, I think I'll stop there, but I could sure keep going.
me: Thanks for playing! I hope my answers were helpful. If you have more questions, please leave them in the comments and I'll be happy to respond!

Leibster award and internships abound

I'm starting off this post with a big THANKS to Dave at Dave Wrote This and Kathy at Imagine Today. Thanks to Dave for bestowing on me the Leibster Award, in all it's glory. And thanks to Kathy for nominating me for it!

Rules for accepting this award:
1. Thank the person who gave you the award and link back to them.
2. Nominate up to five others for the award.
3. Let them know via comment on their blog.
4. Post the award on your blog.

I like the idea of awarding this honor to 5 people who have less than 200 followers on their blog. So! If you know someone who fits that criteria and deserves a shout out, I'm leaving it up to YOU to nominate them in the comments below. I will treat these on a first come first served basis, as well. So hurry and get your nominations in!

On the internship front... this is my last week with the Agency in NYC. I am so grateful for the experience I have had there these past two months. I think that the Agent would have kept working with me forever if I had let her... but I'm not necessarily in it for the long term yet. I'm still trying to figure out my path. I have read so many queries now... and I can tell you what mine WON'T look like... I have seen how to professionally submit a manuscript for review... and I have seen that even if your novel is really amazing it's not always likely to get picked up by a particular agent.

Everything I have learned so far will, I hope, make me a better writer in the long run. We'll see.

I'm leaving the internship with the Agency after only two months, though, because I have landed ANOTHER internship... with a publishing house satellite office only 30 minutes from my home (instead of a one and a half hour train ride). I'm excited because here's a new angle of the publishing industry I have not seen yet! I'm headed from the agent's world into the publisher's world! By the time I am done interning my resume will be thick with experience!

The next challenge is what to do with all that experience.

I have one more response request. A couple of you mentioned wanting to know more about my experience the past couple of months at the Agency. There's a blog post here, that I think sums up a lot of what I have learned, but I'd like to open the floor for questions. Please ask me questions regarding the internship and I will compile and answer them in a post next week!

I'm looking forward to hearing from you!

5 tips for writing from C.S. Lewis

I read an article today wherein a letter from C.S. Lewis to one of his fans was described. They listed the following 5 rules as Lewis recommended them to the young person who had written him for advice regarding her own WIP. I thought the rules were worth sharing with you:

1. Always try to use the language so as to make quite clear what you mean and make sure your sentence couldn't mean anything else.
2. Always prefer the plain direct word to the long, vague one. Don't implement promises, but keep them.
3. Never use abstract nouns when concrete ones will do. If you mean "More people died" don't say "Mortality rose."
4. In writing. Don't use adjectives which merely tell us how you want us to feel about the thing you are describing. I mean, instead of telling us a thing was "terrible," describe it so that we'll be terrified. Don't say it was "delightful"; make us say "delightful" when we've read the description. You see, all those words (horrifying, wonderful, hideous, exquisite) are only like saying to your readers, "Please will you do my job for me."
5. Don't use words too big for the subject. Don't say "infinitely" when you mean "very"; otherwise you'll have no word left when you want to talk about something really infinite.

Good advice for any writer to live by. Thanks, C.S. We'll take these rules to heart.

In other news, I did NOT see the fabled Matt Smith and Karen Gillan... although they did arrive on set later that evening... around 10:30 p.m. with 1,200 other fans all clamoring for their attention... Yeah, I left earlier... because it's a long train ride home and because while I LOVE Doctor Who, I'm just not that kind of girl. If they had been there earlier I would have been excited... sigh... how complacent I have become.

Although... if I had been waiting for THE Doctor, not the man who plays him on TV, I would have stayed until he came and happily run away with him in the T.A.R.D.I.S. Ya know? If only...

Photo from Wikipeida

Diversion

In case you were wondering... this is what I do when I'm trying to distract myself from writing or obsessing over a scene that is getting me no where... (well, when I'm not lazy and watching re-runs of Doctor Who instead :)).

This is actually my first still life attempt.
I'm not usually so studious.

Noah decided he wanted to do a still life as well! Fun!

Insecure Writer's Support Group, yay!

Hi all! It's time for a monthly installment of Insecure Writer's Support Group, as hosted by Alex Cavanaugh.

I don't know about you, but I can't believe it's already April! Where does the time get to?

I wanted to post about blogging memes today... because they make me insecure. Currently, when I look through my blog reader, it seems like I am the only person I know who is NOT doing the A-Z Challenge, a monthly meme started here.

Now, part of the reason I didn't join in was because I've been doing an internship in the City (which ends April 19th). The internship has been intense and educational and I'm SO glad I have had the chance to take part, to get dressed up professionally, commute into NYC, and learn about the art of discovering a marketable manuscript. But it takes up a lot of time! So I haven't been posting very regularly, anyhow... and the idea of writing a blog post a day within the loose theme of the alphabet (much less the more planned out themes that I see some of you are doing)... well I'm not super woman.

But also, I don't want to be a joiner just because I think I'm supposed to attach meaning to something that everyone else does. I'm not just referring to this particular challenge. There are "blog awards" and weekly/monthly memes all OVER the place! How does a girl choose between them all without feeling like she's missing out on something, or more importantly, without feeling like she's losing her blogging identity?

Obviously I am choosing. I'm participating in a meme right now! IWSG has been very useful to me - from reading other writers' insecurities to sharing my own insecurities to receiving supportive feedback. I will definitely continue to participate in this one. I just wonder, does anyone else out there besides me feels overwhelmed by the flood of daily/weekly/monthly blog memes?

7 things you learn from interning with a literary agent

I've survived the first month of my internship! I don't know whether to be impressed by that fact or not. Overall I'm going to say that I'm impressed, because it's hard! For so many reasons, too...

I wanted to share with you the first few things that I've learned... because as a writer, I feel they are important. I'd love to hear your take on things as well, so make sure to comment and let me know what you think! It's possible that the things I'm learning here are NOT useful, and only apply to the agent I'm working with.

1. Your synopsis is important! Seriously. I know a few people have been posting recently and complaining about having to write synopses. They're hard to do. After all, your masterpiece of a novel is probably 50,000-100,000 words! How can you summarize the entire plot in just a few measly paragraphs? But, if an agent (or an agent's assistant) can't get the essence of your plot in a neat little package, the likelihood of your manuscript being picked up drops significantly. So craft them... craft them well, grasshoppers.
2. Building off of number 1., make sure to review and refine your pitch. Sending a query to an agent involves so much more than just copying and pasting your synopsis into the body of an e-mail and pressing send. Standard etiquette, people. Introduce yourself. Tell the agent why you're writing (This involves a synopsis of your synopsis. Madness!). Remember. There's nothing new under the sun. Don't bother telling the agent that your manuscript is one-of-a-kind. It's not. I guarantee it. Cheesy pitches and synopses get tossed right to the slush pile.
3. Find a way to graciously handle rejection. Agents receive hundreds of submissions a week. And in-depth discussions of the reasons for choosing not to take on your work is not on the top of their to-do list. Although, the one I've worked with is willing to take a little time to discuss it with you if you ask politely. Always remember, though, that whatever advice you wish to receive is a gift, not a right. (Maybe this is different with other agents. I don't know.)
4. Your first two chapters are key. Write well, little grasshopper. Hook your readers early. Introduce the characters and the plot in a way that grabs the reader's attention and draws them forward into the story. If the first 10 pages aren't amazing, you're looking at rejection.
5. Story arc. It's kinda important. If your novel wanders off in the middle, near the end... anywhere, really... it's going to get rejected, or at least asked for a rewrite. If you can catch this before the agent does, you'll save yourself the pain of opening that e-mail rejecting your work. The last two chapters matter just as much as the first two.
6. How can you catch things like a weak story arc? Get it edited. Well edited. Don't just have beta-readers look at your manuscript (although they're important, too). Have a professional look at your work and do an overview for you. It costs money, but it can mean the difference between a publishing contract and the slush pile.
7. Nothing is sacred. My friend Sarah Mebasser said that the other day, and it's true. Scenes that you've slaved over, that are your precious pets, that you think are pivotal to the whole story can be cut, likely WILL be cut. Language that you have deemed poetical will be criticized as ambiguous, vague, even bad grammar! Prepare yourself for this inevitability. Shelve your ego and go to work. (This goes as well for interns who work on projects/blog posts/etc., for their bosses. If you can get rid of your ego, you can learn a lot. Easier said than done, though.)

Well, that's all from the peanut gallery so far. I know that I'm a beginner, learning as I go. If you have any thing to add, I'm happy to listen and consider!

Knights of Microfiction!

It's time for Knights of Microfiction! This is a monthly meme hosted by the fabulous Jess and Kathy McKendry. I have had very little time to blog recently, so flash fiction is right up my alley!

Here are this month's rules:

Use at least one of the following adjectives: delicate, repulsive, hostile, and at least two of the following nouns:  New York City, my 16th birthday, and kilts. Write a MicroFiction/flash fiction piece of 250 words or less.

And here's my entry:


It's a delicate balance, I thought to myself, living here in New York City. Just surviving day to day can be a challenge, albeit one that I accept. Never let it be said that a Wallace is not worth his salt. I adjusted my kilt as a couple of beauties strolled by on the avenue.


There’s just one problem. No one can see me. And… they’re all dressed so strangely. It’s only very rarely that I see anyone else in a kilt, and they’re usually stone drunk. Those drunks can see me. And they’re usually terrified when they do. I think something may have happened to me.


Last thing I remember before I got here was it was my 16th birthday. Ma had made this new kilt for me especially. I was going out riding, and when I got home it would be time to celebrate. 16. Coming of age for a Scottish lad.


Only I never made it home. All of a sudden I was here. My stomach growled. I was starving. The night was just beginning here in the City that never sleeps. If I played my cards right, I could find myself a drunk with a conscience, someone to slip me some food. Best place for that was in Greenwich Village. They were just more accepting there. A couple of handouts and I’d be set for the night.


Somehow, I’d survive. Somehow, I had to figure out how to get home. Or at least what had happened.

Off to the internship again today. Lots of reading to do and I think my fellow intern is going away. I guess that's the point of an internship. It never lasts for very long.

It's Young Adult and Teen Tuesday!

It's Tuesday and the YATT meme is hosted by S.A. Larsen at Writer's Ally. Yay!

I'm going to slip in a little post here this morning about Young Adult lit. I've been contemplating the differences between young adult lit versus books you read as a young adult. There are just a few things that puzzle me about the distinction.

See, I read "Of Mice and Men" when I was young, but I wouldn't consider that a "Young Adult" book. But, is it? Also, it's apparent to me that just because a protagonist is a youth does not make the book a YA book.

I'm sure someone out there much smarter than me has a wonderful, textbook answer for me and I'm hoping you'll leave it in the comments.

What I see as YA lit is defined by what you can and can't do with the characters. In YA, fantasy is much more acceptable, animals figure largely (or rather, IF they figure largely, it's considered YA... another confusing point), and the protagonists are often (though not always) in the YA age range of 15-24.

In "Adult" lit... I feel like there's a lot more pretended "realism" (although I know there's a lot of sci-fi/fantasy going on out there in adult lit), and more sex and violence. But this just seems disappointing to me. Also, I'm sure there's a lot more "thematically" to it than this.

And so I'm wondering where YOU draw the line.

Are there any of your beloved books that seem to defy definition?

Internship... you get out of it what you put in **UPDATED**

**Updated at the end.**

Quick post before I have to head in to the City this morning. I have been MIA the past week or so because I started this internship 3 days a week in the City with a literary agency. I would love to report that all is going well and I'm having the time of my life. Truth is, it's a mixed bag.

The thing I keep reminding myself is, I'm not getting paid. I'm volunteering time to learn about an area of the book business. I don't NEED a job. I WANT the experience.

And I am getting experience. I have read over a hundred submissions in the past 2 3 weeks, I would venture, the majority unsolicited. I could tell you right up front what will get through and what won't. Of what gets through, I couldn't tell you what will get picked up, though. This agent is finicky. She says she doesn't want to pass up on a really good manuscript. It's possible that we just have different ideas of what is good. 

However, that's an area for me to learn in, too. What do I know about what sells? I guess in the YA market, I have a bit of an eye. I've read a LOT of YA... but then, not as much as some of YOU. Still, I know what people are reading right now. In other markets not so much.

Sigh... on the other hand... I have had my patience tested over the past 2 3 weeks in ways I did not realize I might. I'm sitting on a hard chair at a kitchen table in a tiny Manhattan apartment, walking someone else's dog, commuting 3 hours a day... all to deal with a personality that I find less than appealing... trying to squeeze information about the business out of her... because it's more than choosing a good manuscript. Of that I am sure.

I guess I'm telling you all this, not to excuse myself for having been absent from the blogging world, so much as to say it's not all a bed of roses on the other side of the pen and paper... and I'm beginning to understand that actually means.

I hope to make it around and read some blogs this weekend. So write some good posts for me!

**I have to retract a statement. I really DO appreciate her personality... when she's not wearing her boss hat... and when she IS... I just have trouble dealing with her work style.

Today I found got better as I went... I'm sure in part due to the encouraging vibes you all are sending my way :)**

Making Time: Insecure Writers' Support Group

It's the first Wednesday in March! Can you believe it? That means it's time for Insecure Writer's Support Group, hosted by the fabulous Alex Cavanaugh, who, by the way, just published another novel, CassaFire! Yay Alex! Living the dream! And thanks for hosting us insecure writers. We need it.

I wanted to mention "Making Time" today. I haven't had to deal with this issue in a while. See, for the past year and a half I have been living the dream... not working, just writing. Except that I didn't really take advantage of the time while I had it. I was distracted by other things and allowed much of the time I could have devoted to writing to slip away.

Now that I am doing an internship in the City three days a week (on week two and it's going GREAT!) I am suddenly reminded of the value of time. I have less time for posting and less time for writing because other things are taking up the space (you know, like groceries, cooking meals, walking the dog, etc.).

It's only two weeks in, but I'm already worrying about how my creative outlets will suffer from neglect. Am I over reacting? This past weekend I did put down 900 words towards my WIP (in the new POV, too!). And that's huge! Because I have been stalling and recently got a bump of inspiration. But I wonder if that is an exception to the rule and if the urge to create won't be drowned out by the lazy monster or the "I have so many other necessary things to do" monster. I know I have to build better habits, but I'm a little at a loss as to how to do it without creating a crusty layer of guilt that I have to break through every time I want to write.

Ugh. Does anyone else ever feel this way? Damned if you do and damned if you don't... It's honestly one of my biggest barriers to moving forward with my writing, I think.

New post with some rambling about my internship on Friday. Thanks for listening.

An inspirational moment

I'm sitting here working on writing Lilith from a 1st person POV... and it's not quite as easy as I was hoping. But... I am not discouraged yet. I think I just need to rearrange my own POV, not expect things to go exactly the way they did the first time around, and keep moving forward.

And then I read this quote from the amazing Neil Gaiman's latest blog post:

"It's a weird thing, writing.

Sometimes you can look out across what you're writing, and it's like looking out over a landscape on a glorious, clear summer's day. You can see every leaf on every tree, and hear the birdsong, and you know where you'll be going on your walk. 

And that's wonderful.

Sometimes it's like driving through fog. You can't really see where you're going. You have just enough of the road in front of you to know that you're probably still on the road, and if you drive slowly and keep your headlamps lowered you'll still get where you were going.

And that's hard while you're doing it, but satisfying at the end of a day like that, where you look down and you got 1500 words that didn't exist in that order down on paper, half of what you'd get on a good day, and you drove slowly, but you drove.

And sometimes you come out of the fog into clarity, and you can see just what you're doing and where you're going, and you couldn't see or know any of that five minutes before.

And that's magic."

Thank you, Neil.